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Barbara Broccoli On Powerful Movie ‘Till’: “This Is Not A Time For Us To Look Away” – New York Film Festival

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EXCLUSIVE: Barbara Broccoli, one of the teams of producers behind the powerhouse film Till, about the extraordinary efforts of Maimie Till Mobley to find justice after the lynching of her 14-year-old son Emmett Louis Till, for whistling at Carolyn Bryant, a white woman, by white supremacists in Mississippi in 1955, told Deadline, that audiences must seek out the movie: ”This is not a time for us to look away.”

Broccoli said Emmett, who was visiting his cousins, was lynched and murdered for whistling at Carolyn Bryant, a white woman, keeping shop at Bryant’s Grocery & Meat Market in Money, Mississippi. A few days a group of men dragged the boy from his uncle’s home. Days later his mutilated body was discovered in the Tallahatchie River in Mississippi.

Citing fellow producers Keith Beauchamp, Whoopi Goldberg, Thomas Levine, Michael Reilly and Fred Zollo, Broccoli added, ”This is an important film to me, to all of us.”

The film, directed by Chinonye Chukwu (Clemency), was receiving its world premiere screening Saturday night at the New York Film Festival at Lincoln Center, ”will open people’s eyes,” Broccoli said following a private screening of Till in London this week, ”I pray that people see it,” added the producer who controls Eon Productions, with Michael G.Wilson, home of the James Bond franchise.

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Broccoli was worried, she said because the racial climate in the United States ”feels worse now than it did twenty years ago. A lot of it is Donald Trump, isn’t it? He’s made it so that people can openly deny this happened.”

She explained that ”Keith Beauchamp was the producer who basically spent his whole adult life researching this, it’s his scholarship that has gotten us to this point. He was very close to Maimie and this film is about what really happened. He and Fred and Tom, and then Whoopi and I got involved and then we brought Chinonye on having seen Clemency, and she’s done a magnificent job.”

The casting of Danielle Deadwyler (The Harder They Fall) to portray Maimie Till Mobley was a proud moment, Broccoli noted. “And Danielle is truly extraordinary. She sent in a tape to the casting director, we had lots and lots of submissions. Chinonye sent me a note that said: ‘Have you seen the tapes today? Call me.’ I was actually in LA and I called her and said, ’Oh, my God’. I think we said ‘Oh, my God’ in unison, actually. We were sold on Danielle and what was fantastic was the reaction at the studios. Alana Mayo who runs Orion Pictures and Pam Abdy and Michael De Luca who financed the film; when we said that we wanted someone who was not an established name, then they saw her there was no argument about casting her. They supported this film 100 percent. And we’ve had 100 percent support from MGM and UAR [United Artists Releasing] who are doing a great job, and tremendous support from Universal,” Broccoli said.

Sighing, Broccoli continued, “Getting to the point where we got it to them was a long journey but once we gave it to them it was instantaneous. They just wanted to make this film … because it was Orion which has a long history of making films that stand for something.”

The film’s propelled by the power of a mother’s love and the power of a mother seeking the truth of what happened to her teenage son, portrayed with stand-out skill by Jalyn Hall (Shaft). ”Chinonye wanted to focus the story on Mrs. Mobley… and was very adamant, rightfully so, that she didn’t want to show the violence of Emmett being killed. But, obviously, the aftermath was important for people to see. It was important to show what had been done to Emmett’s body and that’s what Mrs. Mobley did when she displayed her son’s tortured body in an open casket. ‘Let the world see what I’ve seen,’” Broccoli explained.

Also, said Broccoli, the director wanted to start and end the film “in a place of joy. And she wanted to show the love, and the resilience, and the complexity that Mrs. Mobley was a middle-class woman living in Chicago with a great job; she had a life and had friends and had not set out to become a Civil Rights activist. And when you think of what happened to her in just one month: it’s a month from the abduction to finding out about the murder and then having to testify in Mississippi. It’s extraordinary what she achieved. She’s a real hero and people do not know her story. She goes beyond what anyone can even imagine doing; standing up to the system, to all those [white] men, and putting her grief aside for the greater good. Pain to purpose. That can’t happen without a great performance. Danielle provides that,” Broccoli declared.

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Clearly, Broccoli is heavily invested in Till, both emotionally and practically. She claimed that some states are banning the ”teaching of the history in a whole bunch of places. But we’re opening wide [October 14 in the U.S.] and we’re showing it at the London Film Festival on October 15 and 16. We have a huge school program, a huge program with schools and colleges. People think they know the name and they think they know the story, but they don’t really know the story.”

Broccoli mentioned a key scene in Till when a relative informs Mrs. Mobley that she can’t look at Emmett’s disfigured corpse in an open casket at the Roberts Temple Church of God in the Bronzeville district of Chicago. ”Auntie Lizzie says, ‘I can’t look,’ and Maimie says ‘We must.’ And so must we. This is not a time for us to look away,” Broccoli insisted.

Whoopi Goldberg also features in Till as Mrs. Mobley’s mother Alma Carthan; Frankie Faison portrays her father, John Carthan. Civil Rights giant Medgar Evers is portrayed by British actor Tosin Cole, his wife Myrlie Evers is played by Jayme Lawson. ”Medgar’s wife says in the film that she worries. It sends chills knowing what was to happen,” Broccoli said, referring to Medgar Evers’s assassination eight years later in 1963. Haley Bennett plays Carolyn Bryant.

Repeating her mantra, Broccoli said, “No, this is not a time to look away.”



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Netflix & Paramount+ To Profile ‘Strip Search Caller’ ; TVOKids Spotlights Down Syndrome With Toon Series; ‘One Piece Film Red’ London Takeover — Global Briefs

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Netflix & Paramount+ UK To Profile ‘Strip Search Caller’

Netflix and Paramount+ have struck a first of its kind-of-deal over a true crime documentary telling the story of the strip search caller in the U.S. Paramount+ has taken UK rights to Pervert: The Hunt for the Strip Search Caller and Netflix has rest of world on the doc, which it will be calling Don’t Pick Up the Phone. The deal is believed to be the first time two streamers have worked in such a way in the UK and rest of world. The doc tells the shocking story of a hoax caller who targeted fast food restaurants across the U.S. – posing as a police officer investigating a theft, the caller instructed managers to strip-search the young female employees he said were suspects. For many victims, what began as a humiliating strip search escalated into sexual abuse.

Canada’s TVOKids Spotlights Down Syndrome In Animated Series ‘Griffin And Turner’

EXCLUSIVE: Ontario, Canada’s TVOkids and Big Jump Entertainment are working on 2D-animated series Griffin and Turner. Based on real Canadian brothers who a significant online following, the show follows the supportive pair as they, their friends and family undertake personal challenges but focus on the journey rather than winning. Turner has Down syndrome, and TVOKids executive producer Kirsten Hurd noted the series has been developed in consultation with the Down syndrome community. Producer Big Jump is behind shows such as Shutterbug and Big Words, Small Stories.

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London Gets ‘One Piece Film Red’ Takeover After Record Haul

To celebrate the record-breaking haul of One Piece Film Red in the UK, the Straw Hat Pirates are set for a takeover of iconic London locations on November 26. Via local distributor Anime Limited and Toei Animation, the cast and memorable scenes from the series will be projected onto the County Hall of London, opposite the London Eye as well as other key locations. One Piece Film: Red has grossed over £800,000 in the UK and Ireland since it released earlier this month, making it the biggest of the long-running franchise. A phenomenon in Japan, One Piece Film Red has grossed $162M to date worldwide 



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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

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Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.

The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter (Blithe Spirit, Misbehaviour)

Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.

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 In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.

Best European Editing went to Özcan Vardar and Eytan İpeker for Turkish director Emin Alper’s drama Burning Days.

Polish composer Paweł Mykietyn won best European Original Score went for Jerzy Skolimowski’s EO.

Best European Sound went to Simone Paolo Olivero, Paolo Benvenuti, Benni Atria, Marco Saitta, Ansgar Frerich & Florian Holzner for Michelangelo Frammartino’s cave exploration drama The Hole.

The winners, which are decided by a special expert jury, will receive their awards at the European Film Awards ceremony on 10 December in Reykjavík.

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Jennifer Lopez’s Social Media Mysteriously Goes Dark

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EXCLUSIVE: The actress, producer and top-selling performing artist’s social media channels including Instagram, Facebook, Tik Tok and Twitter have suddenly gone dark in their featured/cover images.

Reps for Jennifer Lopez were unavailable for comment, but we hear from others that The Hustlers and Marry Me actress is on the verge of announcing a new project.

Here’s a look at her Instagram tonight:

While Lopez’s Instagram had erased all posts, a trail of her previous postings remained on Facebook, Tik Tok and Twitter. Across all four social media portals, Lopez counts close to 347M followers, the majority of that coming from her Instagram.

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Lopez’s Nuyorican Productions in June 2021 signed a multi-year first-look deal with Netflix spanning feature films, TV series and unscripted content, with an emphasis on projects that support diverse female actors, writers and filmmakers. Lopez co-runs Nuyorican Productions with her producing partner Elaine Goldsmith-Thomas.

Lopez scored her best opening for a live-action movie at the domestic box office with STX’s 2019 stripper caper Hustlers which debuted to $33.1 million, and grossed $105M stateside, $157.6M worldwide.  As a recording artist, Lopez has sold over 70 million albums, with J.Lo became her bestselling album with 3.8M copies sold in the U.S. and 12M global. Her Netflix thriller The Mother from director Niki Caro is set to debut in May. Her romantic comedy Shotgun Wedding with Josh Duhamel will hit Prime Video on Jan. 27.

On Facebook, one of her followers, Steffany Merino wrote, “What’s happened? Hope you and your wonderful family are ok. I’ll pray for your health and safety.”

Again, we hear something special is in the works in the next few days.



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