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Christian Bale Admits He Worried About Getting Stuck Playing Batman: “I’ve Never Considered Myself A Leading Man. It’s Just Boring”

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Christian Bale is not your typical GQ coverboy, but that’s exactly where he’s landed this month, in part because he cares about his newest collaboration with David O. Russell, Amsterdam, on which Bale is also a producer.

The $82-million film has an uphill battle in its first week of release. Despite being booked in 3,000 theaters nationwide, it’s looking at only about $10 million in ticket sales, per analysis from Deadline’s Anthony D’Alessandro. Given that, Bale said he decided to take a chance on a big, glossy interview to help boost the film.

“People have always told me this kind of stuff helps,” the actor told GQ. “I never believed it. But, I was like, ‘Oh, well, all right.’ I care. I care, you know?”

Another thing he cared about was not getting stuck playing Batman after the success of his billion dollar-grossing collaboration with Christopher Nolan on the Dark Knight trilogy. But if he did, he said, there would be an upside: He’d finally get to quit acting.

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“I loved that because I was like, ‘This could be it. I could never be anything but that.’ And for a lot of people, I won’t,” Bale said. “I was like, ‘Ah, maybe I’m going to be forced to go do something different.’ And maybe this fucking thing [acting] that I got forced into doing as a kid that I didn’t fucking want to do in the first place, I’m out. And I’m free. And then it didn’t happen.”

So how did he insulate himself — and his ego — from the negative effects of the cultural phenomenon that the Nolan films became?

“I always just felt like it was a thing that someone else did, really, in a lot of ways,” Bale told the magazine. “I was like, ‘Oh, yeah. That thing happened over there. And that’s doing very well over there, I hear. That’s great.’ And I’m going off to Ralphs, the supermarket, to get bananas.”

The Oscar-winner continued, “I’ve never considered myself a leading man. It’s just boring. You don’t get the good parts. Even if I play a lead, I pretend I’m playing like, you know, the fourth, fifth character down, because you get more freedom. I also don’t really think about the overall effect that [a character’s] going to have. It’s for me to play around, much like animals and children do. Have tunnel vision about what you’re doing, not think about the effect you’re having.”

Bale says his career has been planned with “zero strategy. I think some people mistakenly believe that I am a leading man, and it just keeps on going and I don’t understand it.”

Speaking of leading men, there is one Hollywood hero who gets first look at every juicy part according to Bale, including Patrick Bateman in American Psycho: Leonardo DiCaprio.

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“Oh, dude. It’s not just me. Look, to this day, any role that anybody gets, it’s only because he’s passed on it beforehand. It doesn’t matter what anyone tells you. It doesn’t matter how friendly you are with the directors. All those people that I’ve worked with multiple times, they all offered every one of those roles to him first. Right? I had one of those people actually tell me that. So, thank you, Leo, because literally, he gets to choose everything he does. And good for him, he’s phenomenal.”

But Bale, who has won just as many acting Oscars as DiCaprio, says he does not take it personally.

“Do you know how grateful I am to get any damn thing?” the actor asks. “I mean, I can’t do what he does. I wouldn’t want the exposure that he has either. And he does it magnificently. But I would suspect that almost everybody of similar age to him in Hollywood owes their careers to him passing on whatever project it is.”



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Netflix & Paramount+ To Profile ‘Strip Search Caller’ ; TVOKids Spotlights Down Syndrome With Toon Series; ‘One Piece Film Red’ London Takeover — Global Briefs

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Netflix & Paramount+ UK To Profile ‘Strip Search Caller’

Netflix and Paramount+ have struck a first of its kind-of-deal over a true crime documentary telling the story of the strip search caller in the U.S. Paramount+ has taken UK rights to Pervert: The Hunt for the Strip Search Caller and Netflix has rest of world on the doc, which it will be calling Don’t Pick Up the Phone. The deal is believed to be the first time two streamers have worked in such a way in the UK and rest of world. The doc tells the shocking story of a hoax caller who targeted fast food restaurants across the U.S. – posing as a police officer investigating a theft, the caller instructed managers to strip-search the young female employees he said were suspects. For many victims, what began as a humiliating strip search escalated into sexual abuse.

Canada’s TVOKids Spotlights Down Syndrome In Animated Series ‘Griffin And Turner’

EXCLUSIVE: Ontario, Canada’s TVOkids and Big Jump Entertainment are working on 2D-animated series Griffin and Turner. Based on real Canadian brothers who a significant online following, the show follows the supportive pair as they, their friends and family undertake personal challenges but focus on the journey rather than winning. Turner has Down syndrome, and TVOKids executive producer Kirsten Hurd noted the series has been developed in consultation with the Down syndrome community. Producer Big Jump is behind shows such as Shutterbug and Big Words, Small Stories.

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London Gets ‘One Piece Film Red’ Takeover After Record Haul

To celebrate the record-breaking haul of One Piece Film Red in the UK, the Straw Hat Pirates are set for a takeover of iconic London locations on November 26. Via local distributor Anime Limited and Toei Animation, the cast and memorable scenes from the series will be projected onto the County Hall of London, opposite the London Eye as well as other key locations. One Piece Film: Red has grossed over £800,000 in the UK and Ireland since it released earlier this month, making it the biggest of the long-running franchise. A phenomenon in Japan, One Piece Film Red has grossed $162M to date worldwide 



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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

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Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.

The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter (Blithe Spirit, Misbehaviour)

Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.

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 In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.

Best European Editing went to Özcan Vardar and Eytan İpeker for Turkish director Emin Alper’s drama Burning Days.

Polish composer Paweł Mykietyn won best European Original Score went for Jerzy Skolimowski’s EO.

Best European Sound went to Simone Paolo Olivero, Paolo Benvenuti, Benni Atria, Marco Saitta, Ansgar Frerich & Florian Holzner for Michelangelo Frammartino’s cave exploration drama The Hole.

The winners, which are decided by a special expert jury, will receive their awards at the European Film Awards ceremony on 10 December in Reykjavík.

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Jennifer Lopez’s Social Media Mysteriously Goes Dark

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EXCLUSIVE: The actress, producer and top-selling performing artist’s social media channels including Instagram, Facebook, Tik Tok and Twitter have suddenly gone dark in their featured/cover images.

Reps for Jennifer Lopez were unavailable for comment, but we hear from others that The Hustlers and Marry Me actress is on the verge of announcing a new project.

Here’s a look at her Instagram tonight:

While Lopez’s Instagram had erased all posts, a trail of her previous postings remained on Facebook, Tik Tok and Twitter. Across all four social media portals, Lopez counts close to 347M followers, the majority of that coming from her Instagram.

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Lopez’s Nuyorican Productions in June 2021 signed a multi-year first-look deal with Netflix spanning feature films, TV series and unscripted content, with an emphasis on projects that support diverse female actors, writers and filmmakers. Lopez co-runs Nuyorican Productions with her producing partner Elaine Goldsmith-Thomas.

Lopez scored her best opening for a live-action movie at the domestic box office with STX’s 2019 stripper caper Hustlers which debuted to $33.1 million, and grossed $105M stateside, $157.6M worldwide.  As a recording artist, Lopez has sold over 70 million albums, with J.Lo became her bestselling album with 3.8M copies sold in the U.S. and 12M global. Her Netflix thriller The Mother from director Niki Caro is set to debut in May. Her romantic comedy Shotgun Wedding with Josh Duhamel will hit Prime Video on Jan. 27.

On Facebook, one of her followers, Steffany Merino wrote, “What’s happened? Hope you and your wonderful family are ok. I’ll pray for your health and safety.”

Again, we hear something special is in the works in the next few days.



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