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‘Darryl Jones: In The Blood’: New Music Documentary Stars Rolling Stones’ Bassist, Miles Davis Associate

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When the Rolling Stones’ original bassist Bill Wyman retired in 1993, it might have thrown sand into the steel wheels of the world’s preeminent rock n’ roll band. Instead, the group was able somehow to find a replacement worthy of Wyman in the fleet fingers and thumping thumb of Darryl Jones.

The acclaimed musician, who cut his chops playing with Miles Davis barely out of his teens, is the subject of the new documentary Darryl Jones: In the Blood. The film from Greenwich Entertainment, directed by Eric Hamburg, is now playing in theaters in limited release and debuted Friday on VOD platforms, including Amazon Prime and Apple TV.

Bassist Darryl Jones (R) plays in concert with The Rolling Stones

Darryl Jones (R) plays with the Rolling Stones

Greenwich Entertainment

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“It’s not an easy thing to replace someone who is an integral founding member of a band like the Stones,” Hamburg noted at a Q&A for the film in Santa Monica Thursday night. “And yet Darryl was able to do it. And I think he’s brought a new element to the Stones that they needed. I don’t know if they could have gone on for the last 30 years if they hadn’t had Darryl Jones playing with them.”

At the Q&A, Jones pondered what he had to learn about the Stones and their music to earn a place in the band.

“One of the things that I first understood about Rock n’ Roll is that there is a certain amount of irreverence… there is a level of chaos that you kind of wrangle,” Jones said. “Once I understood that, and [drummer] Charlie Watts — the way he plays — really helped me to understand that not every ‘i’ has to be dotted, not every ‘t’ has to be crossed. Sometimes those loose ends are the real wonder and they’re the things that make that make the music human and make it special.”

The film explores the subtle role a bassist occupies in a unit like the Stones. Bass, like its homonym base, plays a foundational role in the music.

“Daryl has many jobs. I mean, he has to lock in with the drummer,” Hamburg pointed out. “He also has to be the third ‘weaver,’ as Keith [Richards] put it. Keith was just so incredibly effusive about Darryl.”

All of the current members of the Rolling Stones were interviewed for the film, including Richards, Mick Jagger, and guitarist Ronnie Wood. Watts, who died last year at the age of 80, spoke with the filmmakers before his passing. He praised Jones as both a musician and a good bloke.

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Rolling Stones bassist Darryl Jones (R) plays with guitarist Ronnie Wood

Rolling Stones bassist Darryl Jones (R) plays with guitarist Ronnie Wood

Greenwich Entertainment

“In a band you have to get on with everyone, really,” Watts told Hamburg. “And Darryl is one of those people who – he’s very easy to work with and very pleasant to be around.” 

In some ways, as the film reveals, Jones was an unusual choice to succeed Wyman. Yes, he had played in Sting’s post-Police band, but he was steeped more in jazz than rock. That, ironically, really appealed to Richards and Watts.

“Charlie is a jazz drummer in his heart and in his feel,” Richards observes in the film. “And Darryl, with his jazz influence and background, it was a natural for me.”

Jones grew up in Chicago in the 1960s, with a father who taught him drums and a mother who exposed him to a variety of music. He picked up the bass at around age 10, and was tutored by a neighbor, Angus Thomas, a gifted bassist himself who went on to play with Miles Davis. At the age of 21, Davis invited Jones to join his group, and he performed with the revered trumpeter for about five years total, sandwiched around his time in Sting’s group. Jones said part of what he appreciated more fully through Davis was the difference between collaborating with fellow musicians on stage versus wanting to show off solo skills. 

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Jones said he learned “listening, in a way, and allowing what you play to be informed by the musicians around you, not informed by, ‘Oh, I got this great lick that I’ve been working on,’” he said. “One of the things that I say to students is, if you think about it, whether it’s music or a conversation with a person, listening is an act of love.”

Greenwich Entertainment

Darryl Jones: In the Blood stands in contrast to documentaries about doomed musical artists – for instance, Asif Kapadia’s Amy Winehouse film; Janis: Little Girl Blue about Janis Joplin; I Called Him Morgan, about jazz trumpeter Lee Morgan, who was murdered by his common-law wife, and Bill Evans: Time Remembered about the late jazz pianist who struggled with drug addiction.

“This is not like you see so many movies about ‘this guy was a great musician, but he got strung out and he overdosed and he died, or was in a plane crash’ or whatever,” Hamburg said. “This is a movie about a very inspiring person. And, so I wanted to keep the focus on that.”

Part of what’s inspiring about Jones is that he still sees himself as an artist in development, exploring new horizons. The film shows him rehearsing and performing with a group he formed, The Darryl Jones Project.

“After years supporting musical greats, Darryl Jones brings his own soulful roots rock to the stage, showcasing original songs and deep covers,” the musician’s website says of his group. “His music tells stories from growing up on the South Side of Chicago and has influences from James Brown to Curtis Mayfield to the Beatles, as well as the legendary musicians with whom he has shared the stage.”

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Jones also launched a company that makes bespoke musical instruments, “custom-built in the U.S. using cutting-edge methods and time-honored practices.”

“I had a wonderful experience of building an instrument for someone and handing it to them and watching them fall in love with it,” he recalled at the Q&A. “There’s all these things that I want to do.”

Darryl Jones records vocals for his group The Darryl Jones Project

He’s got new music coming out this month, including a song used at the end of Darryl Jones: In the Blood. He says he’s “just gonna keep releasing music. And some of it’s about politics, some of it’s about love. A lot of it’s about family. ‘In the Blood’ is really a song written from the perspective of my brother and I. And what I’m speaking about is just how blessed I feel to have been born to the parents that I was born to. And how all of this that has happened, I think, is in direct relationship to how I was taught to move in the world by my parents.”

And when the Rolling Stones call, he’ll be there, helping them start it up and keep it going.

Hamburg says there’s a lot one can learn from Darryl Jones.

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“I hope [the film] will inspire young people to pick up an instrument and play and write music, write songs, express themselves,” the director said. “Darryl does not fit the clichés of rock stars. He’s not arrogant. He’s not on a big ego trip. He’s very humble, down to earth, modest, in touch with his roots.”



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Netflix & Paramount+ To Profile ‘Strip Search Caller’ ; TVOKids Spotlights Down Syndrome With Toon Series; ‘One Piece Film Red’ London Takeover — Global Briefs

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Netflix & Paramount+ UK To Profile ‘Strip Search Caller’

Netflix and Paramount+ have struck a first of its kind-of-deal over a true crime documentary telling the story of the strip search caller in the U.S. Paramount+ has taken UK rights to Pervert: The Hunt for the Strip Search Caller and Netflix has rest of world on the doc, which it will be calling Don’t Pick Up the Phone. The deal is believed to be the first time two streamers have worked in such a way in the UK and rest of world. The doc tells the shocking story of a hoax caller who targeted fast food restaurants across the U.S. – posing as a police officer investigating a theft, the caller instructed managers to strip-search the young female employees he said were suspects. For many victims, what began as a humiliating strip search escalated into sexual abuse.

Canada’s TVOKids Spotlights Down Syndrome In Animated Series ‘Griffin And Turner’

EXCLUSIVE: Ontario, Canada’s TVOkids and Big Jump Entertainment are working on 2D-animated series Griffin and Turner. Based on real Canadian brothers who a significant online following, the show follows the supportive pair as they, their friends and family undertake personal challenges but focus on the journey rather than winning. Turner has Down syndrome, and TVOKids executive producer Kirsten Hurd noted the series has been developed in consultation with the Down syndrome community. Producer Big Jump is behind shows such as Shutterbug and Big Words, Small Stories.

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London Gets ‘One Piece Film Red’ Takeover After Record Haul

To celebrate the record-breaking haul of One Piece Film Red in the UK, the Straw Hat Pirates are set for a takeover of iconic London locations on November 26. Via local distributor Anime Limited and Toei Animation, the cast and memorable scenes from the series will be projected onto the County Hall of London, opposite the London Eye as well as other key locations. One Piece Film: Red has grossed over £800,000 in the UK and Ireland since it released earlier this month, making it the biggest of the long-running franchise. A phenomenon in Japan, One Piece Film Red has grossed $162M to date worldwide 



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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

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Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.

The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter (Blithe Spirit, Misbehaviour)

Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.

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 In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.

Best European Editing went to Özcan Vardar and Eytan İpeker for Turkish director Emin Alper’s drama Burning Days.

Polish composer Paweł Mykietyn won best European Original Score went for Jerzy Skolimowski’s EO.

Best European Sound went to Simone Paolo Olivero, Paolo Benvenuti, Benni Atria, Marco Saitta, Ansgar Frerich & Florian Holzner for Michelangelo Frammartino’s cave exploration drama The Hole.

The winners, which are decided by a special expert jury, will receive their awards at the European Film Awards ceremony on 10 December in Reykjavík.

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Jennifer Lopez’s Social Media Mysteriously Goes Dark

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EXCLUSIVE: The actress, producer and top-selling performing artist’s social media channels including Instagram, Facebook, Tik Tok and Twitter have suddenly gone dark in their featured/cover images.

Reps for Jennifer Lopez were unavailable for comment, but we hear from others that The Hustlers and Marry Me actress is on the verge of announcing a new project.

Here’s a look at her Instagram tonight:

While Lopez’s Instagram had erased all posts, a trail of her previous postings remained on Facebook, Tik Tok and Twitter. Across all four social media portals, Lopez counts close to 347M followers, the majority of that coming from her Instagram.

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Lopez’s Nuyorican Productions in June 2021 signed a multi-year first-look deal with Netflix spanning feature films, TV series and unscripted content, with an emphasis on projects that support diverse female actors, writers and filmmakers. Lopez co-runs Nuyorican Productions with her producing partner Elaine Goldsmith-Thomas.

Lopez scored her best opening for a live-action movie at the domestic box office with STX’s 2019 stripper caper Hustlers which debuted to $33.1 million, and grossed $105M stateside, $157.6M worldwide.  As a recording artist, Lopez has sold over 70 million albums, with J.Lo became her bestselling album with 3.8M copies sold in the U.S. and 12M global. Her Netflix thriller The Mother from director Niki Caro is set to debut in May. Her romantic comedy Shotgun Wedding with Josh Duhamel will hit Prime Video on Jan. 27.

On Facebook, one of her followers, Steffany Merino wrote, “What’s happened? Hope you and your wonderful family are ok. I’ll pray for your health and safety.”

Again, we hear something special is in the works in the next few days.



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