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‘Don’t Worry Darling’ Seduces $3.1M In Previews – Box Office

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New Line’s Olivia Wilde-directed genre movie Don’t Worry Darling grossed $3.1M in previews split between Monday’s sold-out Imax fan screenings and Thursday showtimes that began at 4 p.m.

Warner Bros.’ original projection for the movie starring Harry Styles and Florence Pugh was $17M this week, while industry sources peg the R-rated pic’s start between $20M-$26M. I had heard that AMC’s internal projections were $27M two days ago — and that was based off presales.

‘Don’t Worry Darling’ Venice Film Festival Photo Gallery: Olivia Wilde, Harry Styles, Gemma Chan, Chris Pine

As of right now, the audience score for Don’t Worry Darling is high at 87% on Rotten Tomatoes, beating that of critics’ whine of 36% Rotten. In early Comscore/Screen Engine PostTrak figures, which we’ll update throughout the weekend, Don’t Worry Darling notched three stars, with a 66% positive. Women under 25 — those Harry Styles fans — are turning out big as expected, with 40% giving the pic a 75%, followed by women over 25 at 28%, men over 25 at 23% and men under 25 at 8%. The 18-34 demo repped 64% of Thursday night’s attendees.

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The film arrives after weeks of sometimes-bizarre headlines chronicling various controversies, from Shia LaBeouf’s withdrawal from the project and questions over Florence Pugh’s absence at a Venice Film Festival press conference to the debunked suggestion that Harry Styles spit on Chris Pine.

Olivia Wilde Opens Up About ‘Don’t Worry Darling’ Spit-Gate Drama: “Harry Did Not Spit On Chris”

The number is bigger than last year’s female-skewing House of Gucci, which made $1.3M in its Tuesday previews before Thanksgiving, and just under Gaga’s A Star Is Born, which made $4.55M in its combined previews ($3.2M in its sole Thursday previews) back in October 2018. You want auteur genre comps? Don’t Worry Darling also made more than the previews for Jordan Peele’s Get Out, which had a $1.8M Thursday night.

Meanwhile, Disney’s re-release of 20th Century Studios’ Avatar posted previews of $2.5M in presales.  Around 45% of sales are for IMAX 3D, and total 3D is over 95%. The film is projected to post a weekend in the high single digits. This puts the pic’s domestic gross at $763M, where it resides as the fourth highest ever in U.S./Canada, after Star Wars Force Awakens ($936.6M), Avengers: Endgame ($858.3M) and Spider-Man: No Way Home ($814M). The James Cameron directed Oscar winner earned $3.5M in 32 offshore markets after two days putting its global take at $2.85 billion — still the highest grossing movie ever ahead of Avengers: Endgame ($2.79 billion).

Among those titles in regular release, TriStar’s Viola Davis female African warrior film The Woman King ended its first week with an estimated $25.1M at 3,765 theaters. The movie is expected to hold with a second weekend of $11M-$12M. It made $1.2M on Thursday, -8% from Wednesday.

‘Don’t Worry Darling’ Venice Review: Don’t Worry About The Gossip, Olivia Wilde’s 1950s Dream Life-Turned-Nightmare Is Kinda Fun

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20th Century Studios/New Regency/Disney’s Barbarian ends its second week with $9M at 2,340 for a running total of $23.6M. The pic grossed $540K on Thursday. A24’s horror movie Pearl was third on Thurday with $320K and a first week of $4.7M at 2,935 theaters.

Searchlight’s See How They Run booked at 2,404 locations earned $260K yesterday for a $4.2M first week.

In fifth was Top Gun: Maverick at 2,604 with $230K, a $3.1M 17th weekend and $710M running total.





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Cineworld Sets Timing Of Bankruptcy Reorganization Plan; Cineplex Denied Hearing Over Scuttled Merger But May Be Eyeing Regal

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Cineworld plans to file its reorganization plan by Oct. 31, an attorney for the giant chain said today at a hearing. It also won’t be forced to state its case in a Canadian appeals court next month for reneging on a merger agreement with Cineplex.

Judge Marvin Isgur of the Southern District of Texas, who is leading bankruptcy proceedings for the U.K.-based exhibitor, declined a motion by Cineplex to move forward with the hearing in an Ontario appeals court. Cineplex won a $1.29 billion Candadian dollars (about $1B US) judgement against Cineworld for the latter’s pulling out of their 2019 merger deal. Cineworld had agreed to buy Cineplex for about $3 billion.

Cineworld appealed and arguments were set for Oct. 12 and 13.

Cineworld’s Sept. 7 bankruptcy filing, with just $4 million of cash on hand and $5 billion in debt, resulted in a stay on most proceedings with the company focused on financing, keeping its business running and putting together the plan for its post-Chapter 11 era.

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Cineplex had filed a motion for relief of the stay to keep the appeal court dates, which Isgur denied after hearing from attorneys on both sides. He apologized to the Canadian court. “It’s unfortunate that what I am doing today may inconvenience that court, and I recognize that it might, and I regret that, and I send them my regrets.”

He spoke at a scheduled hearing that followed a report earlier today in the Wall Street Journal that Cineplex has approached lenders of Cineworld about reviving a merger, with Regal.

“I read the story as I was eating my cheerios that Cineplex has engaged with lenders of Regal Cinemas about a potential merger. That was news to me. We obviously have had merger talks with Cineplex on and off,” said Cineworld attorney Joshua Sussberg of Kirkland & Ellis. “In fact, there were conversations over the course of the summer before we had an acute liquidity problem.”

He said Cineplex wants “to lock in the claim. I think they’d like to avoid the claim process in bankruptcy court.”

He said Cineworld’s reorganization plans was on a fast track and should be ready before a key hearing date of Oct. 31.

The company is running with most theaters open thanks to a financing agreement reached after a marathon hearing the day after its bankruptcy filing. Isgur granted Cineworld immediate access to $785 million to meet ongoing obligations to vendors and suppliers — including all major Hollywood studios — as well as employee salaries and benefits.

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The remainder of the total $1.9 billion DIP, or debtor-in-possession facility will become available upon court approval.





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‘Avatar’ Rerelease Sees $3.5M Across Two Days Offshore – International Box Office

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FRIDAY UPDATE: With its Thursday figures tallied, Disney’s rerelease of James Cameron’s Avatar has grossed $3.5M from 37 international box office markets. On a like-for-like overseas basis, that two-day number places the return to Pandora 57% ahead of the 2012 3D reissue of Star Wars: Episode I and 29% below the 2012 3D version of Cameron’s own Titanic which had an Easter holiday bow.

The Avatar rerelease comes a little under three months ahead of the launch of Avatar: The Way of Water, and acts as a refresher on the world of the Na’vi and the immersive 3D visuals — 50% of offshore screens are showing it in 3D this weekend with strong uptake in Korea, France, Germany and other majors. There’s also sneak footage from Way of Water tagged onto the Avatar reissue, giving audiences a taste of what’s to come for the highly-anticipated sequel.

On Thursday, key markets Italy ($300K), Germany and Mexico ($200K apiece) each saw No. 1 launches for the remastered /20th Century Studios title. Other No. 1s were in Croatia, Slovenia, Bosnia, Ukraine, Singapore, Thailand, Colombia, Peru, Ecuador and Bolivia.

Australia, where the film started at No. 3 on Thursday, had a $400K opening day, 36% ahead of the 2012 Titanic reissue. 3D repped 69% of the box office.

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Leading the charge so far on the rerelease is France at $700K from two days, followed by Australia, Italy, Saudi Arabia ($300K/two days) and Korea ($300K/two days/$446K through today). Notably in the latter, whose Friday number is not included in the overall total above, audience reactions are very positive with a Naver score of 9.82 and a CGV score of 98%.

North America releases today (coming in with about $2.5M in presales) as well as the UK, Japan and India among key markets.

We’ll have more updates throughout the weekend.

PREVIOUS, THURSDAY: Disney yesterday began overseas rollout on the remastered rerelease of James Cameron’s Avatar in five early markets with the Na’vi seeing a collective $877K gross. The 4K high dynamic range version was No. 1 in France at $513K, coming in 8% ahead of the comparable 3D rerelease of Titanic in 2012.

In Korea, the 20th Century Studios film was No. 3 behind two local titles (through Thursday, it’s taken in $277K). Elsewhere, Avatar came in No. 2 in Saudi Arabia and No. 1 in both Belgium and Philippines.

Today adds such markets as Germany, Italy, Australia, Brazil and Mexico. In total, Avatar will play on over 8,000 offshore screens and in North America this weekend.

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As we reported on Wednesday, social media was abuzz as it emerged that sneak footage of the upcoming sequel, Avatar: The Way of Water, was tagged onto the end of the film. Reactions were highly positive.

Disney

Meanwhile, Disney is pulling out the stops when it comes to Avatar and China. To coincide with the opening of Shanghai Disney Resort’s Avatar: Explore Pandora immersive exhibition, the park held a special screening of the movie, replete with a message from the filmmaker.

In China, the one-off screening utilized the CINITY technology that was developed in the country. Avatar is not rereleasing wide in the market as it was already in cinemas there last year.

The news follows word that executives from China Film Group were recently treated to a screening of footage from the upcoming Way of Water, receiving a surprise greeting from Cameron.

It’s too early for word of an Avatar 2 release in China, though it’s a massive market for the franchise with the first film doing over $200M there way back in 2010, and the rerelease adding $58M. That pushed the Na’vi past Avengers: Endgame to reclaim the crown of highest-grossing film of all time at the global box office.

Shanghai Disney’s Explore Pandora, a temporary installation slated for a six-month engagement, will be the first Avatar-themed touring exhibition hosted in a Disney park worldwide. Designed in collaboration with Lightstorm Entertainment and Disney Location-Based Experiences, the walkthrough exhibition offers guests an exploration of the fantastical alien moon of Pandora, the culture of the Na’vi and their bioluminescent environments.

Set across 1,400-square meters, it features life-sized recreations of iconic landmarks from the film, including the Tree of Voices. Standing six meters in height, the centerpiece is a glowing recreation of the movie’s sacred place of connection containing whispers from the ancestors of the Na’vi.

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High-tech interactives include the Amplified Mobility Platform (AMP) suit simulator, as well as an opportunity to be “Avatarized.” There’s also a shopping experience.

Avatar: The Way of Water begins overseas rollout on December 14 this year and lands in North America on December 16.





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Dino-Might: ‘Jurassic World Dominion’ Crosses $1B At Worldwide Box Office

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The dinosaurs have done it as Universal/Amblin’s Jurassic World Dominion crossed the $1B mark at the global box office with Thursday’s business included. It took a little while, but that shouldn’t diminish that this makes the Colin Trevorrow-directed installment, one of only three films to the milestone since the beginning of the pandemic. It is the No. 2 film of 2022 behind Top Gun: Maverick.

The split through Thursday is just over $376M domestic and also just over $624M at the international box office.

JWD is the 7th Universal title to reach $1B worldwide, and the 3rd in the Jurassic World franchise whose total global box office now stands at $6.02B.

The film, hatched from the Michael Crichton novel and starring Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill and Jeff Goldblum, kicked off early overseas rollout at the beginning of June, topping $500M global in its first two weeks (one of only 10 Hollywood movies to the mark during the pandemic and one of six in 2022).

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Also in June, it passed $600M internationally, becoming one of five Hollywood films to do so in the pandemic and one of only two in 2022.

JWD further snagged an increasingly elusive China release, going on to gross $158M for the title of biggest import in 2022 and 3rd biggest Hollywood movie of the Covid era.

Along with Illumination’s Minions: The Rise of Gru, Blumhouse’s The Black Phone, DreamWorks Animation’s The Bad Guys and Jordan Peele’s Nope, JWD also helped propel Universal’s 2022 worldwide haul past $3B last month, becoming the first studio to get there since 2019.

Upcoming titles from Universal include Billy Eichner-starrer Bros; Ticket to Paradise with George Clooney and Julia Roberts — already doing well in offshore release; She Said about New York Times reporters Megan Twohey and Jodi Kantor; Steven Spielberg’s autobiographical The Fablemans which recently won the Toronto Film Festival People’s Choice Award; and DreamWorks Animation’s Puss in Boots: The Last Wish.

On deck from Focus are Tar starring Cate Blanchett who won the Best Actress prize at the Venice Film Festival earlier this month; and James Gray’s Armageddon Time, which debuted at the Cannes Film Festival in May.

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