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‘Smile’ Widens With Huge Overseas Increase As It Nears $100M Global – International Box Office

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Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date.

The overseas increase is quite literally gobsmacking — even this year’s mega-holder Top Gun: Maverick, also from Paramount, eased (though very slightly) in its sophomore frame. We’re hearing word of mouth is propelling this pic, not a particular holiday/weather scenario. 

The only new opening market this frame was Korea, where Smile debuted at No. 5 with $335K at 355K locations. In Mexico, the second session was good for $2M, a 26% increase on opening, at No. 1 for a local cume is $4.2M.

The UK likewise grossed $2M in the sophomore frame; up 25% from the opening and at No. 1. Local cume is $5.4M.

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Germany is perhaps the biggest standout, doubling the first weekend. Running total there is $3.4M.

Other markets smiling on Smile include France ($3.2M cume/+8% from last weekend); Australia ($2.3M cume/+43%) and Spain ($2.2M/+51%).

Elsewhere, and as reported earlier, Universal/Working Title’s Ticket to Paradise had a strong fifth frame with $10.6M. It is currently tracking ahead of The Lost City, House of Gucci and Last Christmas and has an offshore cume of $60.6M before domestic opens on October 21.

France opened this weekend with $1M. Mexico too, above comps. Italy was a clear No. 1 at $800K. Hungary delivered the market’s best opening for any film starring Roberts or Clooney with a No.1 start of $200K.

In holds, the UK has grossed $7.5M, Germany is at the same cume and Australia has surpassed the lifetime of Last Christmas and House of Gucci with $8.6M through Sunday.

In other news, New Line/Warner Bros’ Don’t Worry Darling conjured $6.1M in 66 markets this session. It had a 45% drop in holdovers and saw a No. 1 $2.2M debut in Australia (including previews).

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Meanwhile, TriStar Pictures/eOne’s The Woman King expanded its overseas rollout this session with $5.4M. The international cume to date is $10M with global at $64.1M.

The UK (where eOne releases) led all new markets with $1.5M (including previews).  The Middle East (via SPRI) debuted to $1.3M as a region, led by United Arab Emirates with $500K.

Holdover business has been strong, with Brazil off only 15% and France down just 18%

In China, it’s pretty meh. Last week’s new entry for National Day and ahead of the party congress, Home Coming, added about $22M for a $162M cume after two days. These are not strong numbers for the market.

MISC UPDATED CUMES/NOTABLE

Avatar Rerelease (DIS): $3.9M intl weekend (51 markets); $48.6M intl cume/$71.9M global

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*Amsterdam (DIS): $3.5M intl weekend (30 markets); $3.5M intl cume/$10M global

DC League of Super-Pets (WB): $2.6M intl weekend (70 markets); $106M intl cume/$198.5M global

Tad the Last Explorer and the Emerald Table (PAR): $2.3M intl weekend (32 markets); $24M intl cume

Dragon Ball Super: Super Hero (SNY/CRU): $2.1M combined weekend ex-Japan; $73.4M global cume (ex-Japan)

Minions: The Rise of Gru (UNI): $1.4M intl weekend (84 markets); $560M intl cume/$927.5M global

Where the Crawdads Sing (SNY): $1.2M intl weekend (33 markets); $45M intl cume/$135M global

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Bullet Train (SNY): $1M intl weekend (54 markets); $136M intl cume/$238.2M

Mrs Harris Goes to Paris (UNI): $761K intl weekend (21 markets); $3.1M intl cume/$13.5M global

Moonage Daydream (UNI): $402K intl weekend (38 markets); $6.1M intl cume/$9.9M global
Top Gun: Maverick
(PAR): $1.3M intl weekend (46 markets); $765.1M intl cume/$1.48B global

*Denotes new

And, on a brief personal note, rest in peace Nikki.

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Netflix & Paramount+ To Profile ‘Strip Search Caller’ ; TVOKids Spotlights Down Syndrome With Toon Series; ‘One Piece Film Red’ London Takeover — Global Briefs

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Netflix & Paramount+ UK To Profile ‘Strip Search Caller’

Netflix and Paramount+ have struck a first of its kind-of-deal over a true crime documentary telling the story of the strip search caller in the U.S. Paramount+ has taken UK rights to Pervert: The Hunt for the Strip Search Caller and Netflix has rest of world on the doc, which it will be calling Don’t Pick Up the Phone. The deal is believed to be the first time two streamers have worked in such a way in the UK and rest of world. The doc tells the shocking story of a hoax caller who targeted fast food restaurants across the U.S. – posing as a police officer investigating a theft, the caller instructed managers to strip-search the young female employees he said were suspects. For many victims, what began as a humiliating strip search escalated into sexual abuse.

Canada’s TVOKids Spotlights Down Syndrome In Animated Series ‘Griffin And Turner’

EXCLUSIVE: Ontario, Canada’s TVOkids and Big Jump Entertainment are working on 2D-animated series Griffin and Turner. Based on real Canadian brothers who a significant online following, the show follows the supportive pair as they, their friends and family undertake personal challenges but focus on the journey rather than winning. Turner has Down syndrome, and TVOKids executive producer Kirsten Hurd noted the series has been developed in consultation with the Down syndrome community. Producer Big Jump is behind shows such as Shutterbug and Big Words, Small Stories.

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London Gets ‘One Piece Film Red’ Takeover After Record Haul

To celebrate the record-breaking haul of One Piece Film Red in the UK, the Straw Hat Pirates are set for a takeover of iconic London locations on November 26. Via local distributor Anime Limited and Toei Animation, the cast and memorable scenes from the series will be projected onto the County Hall of London, opposite the London Eye as well as other key locations. One Piece Film: Red has grossed over £800,000 in the UK and Ireland since it released earlier this month, making it the biggest of the long-running franchise. A phenomenon in Japan, One Piece Film Red has grossed $162M to date worldwide 



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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

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Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.

The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter (Blithe Spirit, Misbehaviour)

Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.

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 In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.

Best European Editing went to Özcan Vardar and Eytan İpeker for Turkish director Emin Alper’s drama Burning Days.

Polish composer Paweł Mykietyn won best European Original Score went for Jerzy Skolimowski’s EO.

Best European Sound went to Simone Paolo Olivero, Paolo Benvenuti, Benni Atria, Marco Saitta, Ansgar Frerich & Florian Holzner for Michelangelo Frammartino’s cave exploration drama The Hole.

The winners, which are decided by a special expert jury, will receive their awards at the European Film Awards ceremony on 10 December in Reykjavík.

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Jennifer Lopez’s Social Media Mysteriously Goes Dark

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EXCLUSIVE: The actress, producer and top-selling performing artist’s social media channels including Instagram, Facebook, Tik Tok and Twitter have suddenly gone dark in their featured/cover images.

Reps for Jennifer Lopez were unavailable for comment, but we hear from others that The Hustlers and Marry Me actress is on the verge of announcing a new project.

Here’s a look at her Instagram tonight:

While Lopez’s Instagram had erased all posts, a trail of her previous postings remained on Facebook, Tik Tok and Twitter. Across all four social media portals, Lopez counts close to 347M followers, the majority of that coming from her Instagram.

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Lopez’s Nuyorican Productions in June 2021 signed a multi-year first-look deal with Netflix spanning feature films, TV series and unscripted content, with an emphasis on projects that support diverse female actors, writers and filmmakers. Lopez co-runs Nuyorican Productions with her producing partner Elaine Goldsmith-Thomas.

Lopez scored her best opening for a live-action movie at the domestic box office with STX’s 2019 stripper caper Hustlers which debuted to $33.1 million, and grossed $105M stateside, $157.6M worldwide.  As a recording artist, Lopez has sold over 70 million albums, with J.Lo became her bestselling album with 3.8M copies sold in the U.S. and 12M global. Her Netflix thriller The Mother from director Niki Caro is set to debut in May. Her romantic comedy Shotgun Wedding with Josh Duhamel will hit Prime Video on Jan. 27.

On Facebook, one of her followers, Steffany Merino wrote, “What’s happened? Hope you and your wonderful family are ok. I’ll pray for your health and safety.”

Again, we hear something special is in the works in the next few days.



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