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‘Spinning Gold’ About Casablanca Records Rise & Fall, Sets Theatrical Release

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EXCLUSIVE: Timothy Scott Bogart’s movie Spinning Gold about his music producer father, Neil Bogart, and the iconic label he built, Casablanca Records, will hit theaters on Friday, March 31, 2023.

The release and distribution will be handled by Hero Partners in partnership with Howling Wolf Films, with Universal Pictures Home Entertainment distributing across transactional home entertainment. 

Neil Bogart saw the rise and fall of Casablanca Records, which in its heyday from the mid-to-late 1970s was a powerhouse in the disco sphere with artists such as Donna Summer, pop bands like The Village People and hard rock with KISS. The boom of the music scene and opulence of the drug era took its toll on Casablanca. The label was ultimately put into a strenuous financial position, and was in need of hit; their desperation relying on a 1974 two record set of audio highlights from TV’s The Tonight Show Starring Johnny Carson, entitled Here’s Johnny: Magic Moments from the Tonight Show.  Neil Bogart pushed the album as gold with 500K copies in an effort that it would turn platinum, but, alas that did not happen, with a flood of unsold records back to the label. Casablanca now resides under the Universal Music Group umbrella, specially as sub-label of Republic Records, focusing on dance and electronic music.

Timothy Scott Bogart directed, wrote and produced the movie. Jessica Martins, Laurence Mark, Gary A. Randall, Chris Torto, Bradley Bogart, and David Haring also produced.   

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Grammy Winning Music producer Evan “Kidd” Bogart, along with Harvey Mason, Jr. and Atlantic Records president Kevin Weaver are EPs on the film and Atlantic Records’ will be releasing the soundtrack.

Christian Mercuri’s Capstone Global is leading the global sales and will be taking the pic to AFM.  Mercuri is also an EP on the film.

Howling Wolf Film’s Damon Wolf commented, “Launching creative ad agencies, heading up marketing at Sony’s Screen Gems and TriStar labels and leading Lionsgate to its record success with its 2019 film slate as Head of Worldwide Marketing and Distribution, allowed a unique landscape to help refine a dynamic and intimate approach to theatrically market and distribute films that can stand on their own without sacrificing any of the creativity, tactics and support needed to connect with audiences.  We are thrilled to be putting Spinning Gold – the greatest music story that’s never been told – in theaters next year.”

“What makes this so exciting is that it encourages deeper collaboration between the filmmakers and the marketing team. In this ever-evolving theatrical marketplace, creating ways for more films to be released in theatres is a thing devoutly to be wished. Spinning Gold is a film that deserves to be seen on a big screen allowing an audience to get caught up in the music and the spectacle,” added the pic’s producer Mark.

Spinning Gold features an all-star cast including Tony Award nominee Jeremy Jordan (Newsies, Bonnie & Clyde), Michelle Monaghan, Jay Pharoah, Jason Issacs, Tony Award winner Dan Fogler , Lyndsy Fonseca, Chris Redd and comedian/actor Sebastian Maniscalco. The pic debuted in the Cannes market back in May.

Some of today’s hottest music stars are playing the icons who inspired them and singing their most popular songs including Grammy and Golden Globe nominee Wiz Khalifa as George Clinton, Jason Derulo as Ron Isley of the Isley Brothers, Pink Sweat$ as Bill Withers, Grammy Award nominee Tayla Parx as Donna Summer and multi-Grammy winner Ledisi as Gladys Knight.  

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Hero Partners is the production company behind Spinning Gold headed up by Martins, Timothy Scott Bogart, and Torto.  They are also producing North Star from Oscar nominee Jim Sheridan which tells the story of the director’s early life in Northern Ireland with music by U2’s Bono and the Edge, as well as MTV, the story of the launch of the most influential channel in history.  

Hero Partners is the production company behind SPINNING GOLD headed up by Jessica Martins, Timothy Scott Bogart, and Chris Torto.  They are also producing NORTH STAR from Oscar nominee Jim Sheridan which tells the story of the director’s early life in Northern Ireland with music by U2’s Bono and the Edge, as well as MTV, the story of the launch of the most influential channel in history.  

Howling Wolf Films is headed up by Wolf who was the Chief Marketing Officer and Head of Worldwide Distribution for Lionsgate during its recent record-breaking 2019 year, overseeing such films as Knives Out and John Wick 3, as well as head of marketing at TriStar Pictures, Screen Gems and Sony Pictures Worldwide Acquisitions overseeing the releases of such hit films as Baby Driver and Don’t Breathe.

Howling Wolf Films is headed up by Damon Wolf who was the Chief Marketing Officer and Head of Worldwide Distribution for LIONSGATE during its recent record-breaking 2019 year, overseeing such films as KNIVES OUT and JOHN WICK 3, as well as head of marketing at TriStar Pictures, Screen Gems and Sony Pictures Worldwide Acquisitions overseeing the releases of such hit films as BABY DRIVER and DON’T BREATHE.    



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‘Black Panther: Wakanda Forever’ Closes In On $550M WW – International Box Office

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Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday.  The split is $288M domestic and $258.3M from the international box office.

The Ryan Coogler-directed sequel is currently the No. 8 highest-grossing Hollywood release of 2022 overseas. Globally, it is at No. 7.

The second offshore weekend was good for $69.8M in 50 material markets. That’s a 49% drop from opening which is better than the majority of other MCU titles for the same suite of markets, including Thor: Love and Thunder and Doctor Strange in the Multiverse of Madness (both -56%) as well as Spider-Man: No Way Home (-60%).

Holds were strong in parts of Europe — Germany and Netherlands were each off by 31%, the UK down 48%. Elsewhere, Australia dipped 39%, Brazil was down 43%, and Mexico and Taiwan off 45% apiece. BP2 remains the No. 1 non-local movie in all markets.

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The Top 5 markets to date are the UK ($27.1M), Mexico ($22.8M), France ($21.6M), Brazil ($14.2M) and Korea ($14M).

The IMAX international cume is $13.6M with $34.9M global. 

In its global opening frame last weekend, Wakanda Forever scored the 3rd highest start for any Hollywood title during the pandemic era, as well as the 2nd biggest global opening of 2022 to date and the 5th highest international launch weekend posted by any Hollywood film of the pandemic era. 

Last Tuesday, BP2 propelled Disney across $3B at the worldwide box office, the 14th year that the studio has achieved the milestone.

MORE…

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Audiences Gobble Up ‘The Menu’ Thursday Night With $1M+; ‘Wakanda Forever’ Ends First Week With $220M+

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EXCLUSIVE: The Searchlight absurdist genre comedy got off to a promising start with $1M+ last night in previews, we hear. That number is up there with recent comps as Barbarian which did $850K on its Thursday night before a $10.5M opening, and The Northman, another Anya Taylor Joy movie, which posted $1.35M before a $12.2M start. The opening weekend estimate for the Mark Mylod directed movie which also stars Ralph Fiennes, Nicholas Hoult and John Leguizamo among others is around $8M. If this movie gets to $10M, it would be a nice oasis for counterprogramming in the face of Disney and Marvel Studios’ mammoth Black Panther: Wakanda Forever which is expected to do a second weekend in the $70M-range. That preview number for The Menu includes some cash from Wednesday and previews that began at 5PM yesterday. The Menu is 91% certified fresh on Rotten Tomatoes and currently has a good audience score of 83%.

Wakanda Forever posted a $7.5M Thursday, -8% from Wednesday for a first week of $220.7M. The pic crossed $400M worldwide on Wednesday.

Universal’s movie about the New York Times reporters who exposed movie mogul Harvey Weinstein, She Said, isn’t expected to do much this weekend, in the low single digits. Previews from 1,600 theatres that began at 5PM were only $160K. Remember, despite any low grosses from these arthouse-type films, in the post-pandemic era, their awards season chances won’t be slowed. I mean, some of the big awards contenders don’t even report their box office grosses. She Said is 85% certified fresh critics score on Rotten Tomatoes and has a 92% audience score from the few who’ve seen it.

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Deadline’s Deep Dive Into ‘Bones And All’, ‘She Said’, And More New Releases – Take Two

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Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for when we asked them to do this was a concise, mature and thoughtful conversation comparable to what we saw from Roger Ebert and Gene Siskel.

This week we look at the new releases Bones And All , She Said, and Polish International Film entry EO. Timothee Chalamet, Taylor Russell, and Mark Rylance star in director Luca Guadagnino’s award winning Bones And All, an unlikely love story set against the world of cannibalism, but what is it really about? Guadagnino won the Best Director award at the Venice Film Festival for this, his first film shot in America, specifically the American midwest with a story that goes in unpredictable directions but does it really work? It will be playing wide for Thanksgiving holiday and beyond. What is the appetite for it?

And find out what we say about She Said, the kind of critically acclaimed and serious drama Harvey Weinstein used to champion at Miramax and The Weinstein Company. That won’t be the case here for this Universal release because Weinstein’s criminal role is at the center of it, an authentically told story of the New York Times journalists, Jodi Kantor and Megan Twohey who broke open the case against Harvey in getting the multitude of women victimized by his various sexual assaults finally getting to have their say. Many of them are even in the film that stars Carey Mulligan and Zoe Kazan as those courageous journalists, and even includes Ashley Judd playing herself. Directed by Maria Schrader and written by Rebecca Lenkiewicz, this is a film about women, in front of and behind the screen, who went against the odds to be able tell an extraordinary story. How well do they succeed, and will audiences even bother to see it even as Weinstein is on trial again, this time in Los Angeles after being sentenced to 23 years in prision in New York. Find out what we say about him and why this is a must see.

Finally we do a deep dive into one of the year’s finest international films, the official Oscar entry from Poland, veteran director Jerzy Skolimowski’s moving, wry, and compelling EO. The film focuses on a donkey and his wild journey, but is it really about humanity and the people he meets along the way. It won a prize at Cannes where it debuted in May, and now it hits theatres.

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To watch our conversation just click on the link above.

Hammond has been Deadline’s Awards Columnist for the past decade, covering what now seemingly is the year-round Oscar and Emmy seasons. He is also Deadline’s Chief Film Critic, having previously reviewed films for MovieLine, Boxoffice magazine, Backstage, Hollywood.com and Maxim, as well as Leonard Maltin’s Movie Guide, for which he was a contributing editor. In addition to writing, Hammond also hosts KCET Cinema Series and the station’s weekly series Must See Movies.

McCarthy is a veteran trade publication film critic, columnist and reporter who has also written several acclaimed books and documentary films. He served two stints on the staffs of Variety and The Hollywood Reporter and extensively covered film festivals internationally for both publications. His film Visions of Light: The Art of Cinematography won the best documentary prizes from the New York Film Critics and National Society of Film Critics associations, and he won an Emmy for writing the documentary Preston Sturges: The Rise and Fall of an American Dreamer. He also directed the documentaries Man of Cinema: Pierre Rissient and Forever Hollywood.



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