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Who Are The Ultimate Final Girls in Horror Gallery: From ‘Laurie Strode’, to ‘Sidney Prescott’ & ‘Dorothy Gale’

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The Final Girl trope defined characteristics of the last character left alive to confront the killer in horror films, particularly in slasher films. The rise of feminism in the 1970s became a milestone in the genre as the damsel in distress did not need a man to rescue her anymore. Sally Hardesty from The Texas Chain Saw Massacre, Ellen Ripley in the Alien franchise, and Jess Bradford from Black Christmas all portrayed strong female characters who all fought back their assailant.

Laurie Strode is one of the most famous final girls in the Halloween franchise that was first released in 1978 and deemed Laurie as the victim of her brother Michael Myers. As the final girl characteristics have developed, like the franchise, she no longer waits around for Michael instead is ready to fight him and is no longer a target. The baton was passed to the 80s films that followed the trope with Alice Hardy, Ginny Field, and Christine “Chris” Higgins in the Friday The 13th franchise and Nancy Thompson from A Nightmare On Elm Street.

The 90s would continue the tradition with Sidney Prescott, portrayed by Neve Campbell as the longest surviving and character-centered final girl of nine different assailants as the Ghostface killer in The Scream franchise. Lest we not forget Gale weathers from Scream, who also deserves a mention as does Julie James in I Know What You Did Last Summer

The final girl trope may have been coined to only include slasher films from the 70s, but before that was Lila Crane from Alfred Hitchcock’s Psycho, who deserves an honorable mention for surviving Norman Bates. But could the final girl be dated back even further? Could the original final girl be Dorothy Gale, portrayed by Judy Garland in the 1939 classic The Wizard Of Oz? Here are the facts by professor Carol J. Clover in her 1992 book “Men, Women, and Chainsaws,” who coined the term final girl. 

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According to Clover, the final girl is typically sexually unavailable or virginal, avoiding the vices of the victims and occasionally the final girl will have a shared history with the killer. Dorothy is a young girl who is taunted by the Wicked Witch of the West, who represents her neighbor Miss Gulch and threatens to destroy Toto in Kansas and Dorthy, in the land of Munchkins for accidentally killing her sister, The Wicked Witch of the East when Dorothy’s house drops on her.

Dorothy also represents other qualities of the final girl of “investigating consciousness” and moving the narrative forward and as such, she exhibits intelligence, curiosity, and vigilance as she travels on the yellow brick road encountering obstacles along the way.

During the final girl’s confrontation with the killer, Clover argues, she becomes masculinized through “phallic appropriation” by taking up a weapon, such as a knife or a chainsaw, against the killer. In this case, her weapon is water that melts the witch after Dorothy throws it to put out the scarecrows’ flames inflicted by the witch. Dorothy ends up taking the witches’ weapon, a long wooden broom which can be determined as phallic as riding on one was a symbol of female sexuality, considering the broom was a symbol of female domesticity back in the middle ages.

Overall the Wicked Witch of the West is constantly terrorizing Dorothy by stalking and threatening her. She fails in attempting to poison Dorothy in the field of poppies and sends out her flying monkeys to kidnap and entrap Dorothy in her castle with the intent of killing her but Dorothy survives this abject terror inflicted on her and thus makes her an honorable final girl.



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Netflix & Paramount+ To Profile ‘Strip Search Caller’ ; TVOKids Spotlights Down Syndrome With Toon Series; ‘One Piece Film Red’ London Takeover — Global Briefs

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Netflix & Paramount+ UK To Profile ‘Strip Search Caller’

Netflix and Paramount+ have struck a first of its kind-of-deal over a true crime documentary telling the story of the strip search caller in the U.S. Paramount+ has taken UK rights to Pervert: The Hunt for the Strip Search Caller and Netflix has rest of world on the doc, which it will be calling Don’t Pick Up the Phone. The deal is believed to be the first time two streamers have worked in such a way in the UK and rest of world. The doc tells the shocking story of a hoax caller who targeted fast food restaurants across the U.S. – posing as a police officer investigating a theft, the caller instructed managers to strip-search the young female employees he said were suspects. For many victims, what began as a humiliating strip search escalated into sexual abuse.

Canada’s TVOKids Spotlights Down Syndrome In Animated Series ‘Griffin And Turner’

EXCLUSIVE: Ontario, Canada’s TVOkids and Big Jump Entertainment are working on 2D-animated series Griffin and Turner. Based on real Canadian brothers who a significant online following, the show follows the supportive pair as they, their friends and family undertake personal challenges but focus on the journey rather than winning. Turner has Down syndrome, and TVOKids executive producer Kirsten Hurd noted the series has been developed in consultation with the Down syndrome community. Producer Big Jump is behind shows such as Shutterbug and Big Words, Small Stories.

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London Gets ‘One Piece Film Red’ Takeover After Record Haul

To celebrate the record-breaking haul of One Piece Film Red in the UK, the Straw Hat Pirates are set for a takeover of iconic London locations on November 26. Via local distributor Anime Limited and Toei Animation, the cast and memorable scenes from the series will be projected onto the County Hall of London, opposite the London Eye as well as other key locations. One Piece Film: Red has grossed over £800,000 in the UK and Ireland since it released earlier this month, making it the biggest of the long-running franchise. A phenomenon in Japan, One Piece Film Red has grossed $162M to date worldwide 



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‘All Quiet On The Western Front’, ‘Belfast’ Top 2022 EFA Arts & Crafts Awards

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Edward Berger’s All Quiet On The Western Front and Kenneth Branagh’s Belfast top the European Film Academy’s Excellence Awards honoring achievement in the arts and crafts categories, the winners of which were announced on Wednesday.

Belfast won best European Production Design for Jim Clay, whose credits include Children Of Men, for which he won a Bafta in 2006, and Murder On The Orient Express.

The drama, set against the backdrop of the beginnings of “The Troubles” in Northern Ireland in 1969, also won best European Costume Design for Charlotte Walter (Blithe Spirit, Misbehaviour)

Netflix-backed German WWI drama All Quiet On The Western Front won best European Make-up & Hair for Heike Merker, and Best European Special Effects for Frank Petzold, Viktor Müller and Markus Frank.

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 In other categories, best European Cinematography was won by Kate McCullough for her work on Colm Bairéad’s Irish-language drama The Quiet Girl.

Best European Editing went to Özcan Vardar and Eytan İpeker for Turkish director Emin Alper’s drama Burning Days.

Polish composer Paweł Mykietyn won best European Original Score went for Jerzy Skolimowski’s EO.

Best European Sound went to Simone Paolo Olivero, Paolo Benvenuti, Benni Atria, Marco Saitta, Ansgar Frerich & Florian Holzner for Michelangelo Frammartino’s cave exploration drama The Hole.

The winners, which are decided by a special expert jury, will receive their awards at the European Film Awards ceremony on 10 December in Reykjavík.

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Jennifer Lopez’s Social Media Mysteriously Goes Dark

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EXCLUSIVE: The actress, producer and top-selling performing artist’s social media channels including Instagram, Facebook, Tik Tok and Twitter have suddenly gone dark in their featured/cover images.

Reps for Jennifer Lopez were unavailable for comment, but we hear from others that The Hustlers and Marry Me actress is on the verge of announcing a new project.

Here’s a look at her Instagram tonight:

While Lopez’s Instagram had erased all posts, a trail of her previous postings remained on Facebook, Tik Tok and Twitter. Across all four social media portals, Lopez counts close to 347M followers, the majority of that coming from her Instagram.

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Lopez’s Nuyorican Productions in June 2021 signed a multi-year first-look deal with Netflix spanning feature films, TV series and unscripted content, with an emphasis on projects that support diverse female actors, writers and filmmakers. Lopez co-runs Nuyorican Productions with her producing partner Elaine Goldsmith-Thomas.

Lopez scored her best opening for a live-action movie at the domestic box office with STX’s 2019 stripper caper Hustlers which debuted to $33.1 million, and grossed $105M stateside, $157.6M worldwide.  As a recording artist, Lopez has sold over 70 million albums, with J.Lo became her bestselling album with 3.8M copies sold in the U.S. and 12M global. Her Netflix thriller The Mother from director Niki Caro is set to debut in May. Her romantic comedy Shotgun Wedding with Josh Duhamel will hit Prime Video on Jan. 27.

On Facebook, one of her followers, Steffany Merino wrote, “What’s happened? Hope you and your wonderful family are ok. I’ll pray for your health and safety.”

Again, we hear something special is in the works in the next few days.



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